![]() ![]() ![]() Silence becomes all-encompassing in demonstrating the void present in human interaction. The infusion of uneasiness is escalated through long silences in the drama or through bombardment of words that shows the presence of the unknown within the known space of the characters (Kane, 1984). The use of substances of daily and habitual routine is employed to dramatize the continuity of the play. Pinter employs seemingly aimless colloquial dialogue to present the details of the characters and the plot. The belief of the existentialists is that the secret to man’s existence is indecipherable (Camus, 1961). Albert Camus points out that the existence of the senile rests on man’s distrust of myths as he hears the silence that pervades the universe (Camus, 1961). However, the postmodern writers went ahead to demonstrate a profound distrust in life, thus, pointing at the absurdities of life where existence is in chaos. Silence has been employed in literature since the time of the Romantics, like Valery, Mallarme, and Baudelaire, in order to depict the mysterious being. He points out that “it is in the quiet places that characters are hidden and simultaneously exposed,” indicating a withdrawal from the “temporal, spatial, and social reality” (Kane, 1984). Pinter is believed to be one of the most accomplished users of silence in his plays. ![]()
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